Monasteries and convents in the Middle Age were like a shot of light in the dark for women in the Middle Ages. Women who constitute their future in a nunnery, either by their own choosing or otherwise, had the opportunity to be educated and in many occasions to develop their creativity without the pressure of a male figure. This freedom that nuns enjoyed allowed them to work and use their creativity in many different ways. In the monasteries besides getting educated, women also had the option to be trained as illuminators.

Since in these time the exertion and storage of heavenly books and secular classics was confined to monasteries and convents, women got a chance to use their training as painters in the production of these sacred books.
The production of sacred books, allowed women of this time more than one selection at the kind of creative work they wanted to do. hotshot of these options was to work as an illuminator. There are many illuminations from these times, except none of them could be firmly attributed to a specific char painter until we got to the Gerona Apocalypse, the first manuscript attributed to a female mechanic of this time. In this manuscript, a series of fine illustrations representing the Apocalypse (compiled by Beatus). Another option for these...If you want to get a wide-eyed essay, order it on our website: Orderessay
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